So, as the title suggests, this post is mainly on Love Never Dies and musicals in general.
I have not seen a lot of musicals in my life and most of the musicals I've caught are on my travels. Sadly, there just isn't enough places in Singapore for the local arts community to thrive.
I've caught a few local productions before, but they are not like the big budget West End or Broadway. It's just different and so, should not be compared. Most of the other big productions usually stopover here for two to four weeks on tour before moving on to other cities.
Sure, we have made strides in recent years, such as bringing The Lion King here, being one of only two Asian cities (the other being Tokyo) to host this musical. I was lucky to catch it locally at one of the earlier shows with a fellow musical-lover, Claire.
But I'm not here to moan about the arts scene in Singapore, that will take an entire post altogether. So on to the main point. Musicals, specially, the magic of Andrew Lloyd Webber.
I first caught The Phantom of the Opera when the international production came to Singapore in May 2007 and played at the Esplanade Theatre for two months. Prior to that, I've already heard the musical on CD countless times.
Fast forward 3 years, in the summer of 2010, I caught the original London production at Her Majesty's Theatre, not once but twice.
Her Majesty's Theatre, London.
The first show I caught was on 31st July 2010, and I got the cheapest tickets available because my travel mates were unwilling to shell out more, which is perfectly understandable since musicals isn't everyone's cup of tea.
Cheapest tickets already costs £25.
The £25 tickets is comparable with the prices for lowest-tiered tickets in the Singapore tour, which was about S$50, only that the view was better in the show I caught in Singapore.
On the super long climb to our seats, I knew the view will be pretty shitty.
It was.
We were on the very last row of the theatre and I could hardly see a darn thing. Nevertheless, I still enjoyed the show and it was a sold-out show.
So I went back for another show. I watched it with Hwei Yun, who was in London on holiday. And we watched it on National Day, 9 August 2010. Which explains why we were both dressed in red, I even told her to bring along a mini Singapore flag but thankfully, she forgot, else we'll probably end up embarrassing ourselves!
Far from home and feeling patriotic! Sold out show again!
This time, we brought tickets to the best seats in the house.
It was £62.50, which is approximately S$130.
And the view was much, much better.
"Wah, so close till can see the faces of the performers leh!"
They allowed us to take photos of the stage prior to the show start. It was simply magical. I walked away much more satisfied than I was the last two times I caught the show.
And with quite a number of merchandise too.
~~
In fact, I loved it so much, I decided to catch Love Never Dies. Okay, I lied, I had intentions to watch LND even before I made the trip to London. Haha.
Again, I brought the highest-tiered ticket. Can't remember how much it cost though.
I caught the show on 4 August 2010, in between the two times I watched Phantom. At the time, it was the ONLY place in the world you can catch LND. I watched it alone because I did not manage to find anyone to go with me.
It was playing at the Adelphi Theatre on the Strand, around The West End (I think).
The Adelphi Theatre, London.
The Adelphi was originally not black in colour and there's a funny story behind how it was painted black. Illegally. And it reportedly got Sir Andrew Lloyd Webber fined £20,000 for painting the theatre black.
I was lucky enough to catch a show where both Ramin Karimloo and Sierra Boggess played the lead roles of Phantom and Christine Daae. They were both simply amazing. Their voices, OMGee, heart melt!
Karimloo is currently still playing as the Phantom in the London production, while Boggess has moved on to another project. Prior to playing Christine Daae in LND, she was playing as Christine in Phantom: The Las Vegas Spectacular, which is basically a 90-minute condensed version of the original. Some might also remember her as the one who played Ariel in The Little Mermaid musical.
I couldn't take photos inside the theatre because the musical was still very young and under-going constant improvements. So copyright issues are still very tightly controlled.
Not that there was anything to take though. The stage curtain was simply a black screen with the mask of the phantom, much like the one set up in front of the theatre entrance. The stage was simple at best with no real elaborate design or set up, and relied heavily on CGI for certain parts of the show, which is a disappointment given the success of the extensive usage of props and stage design in the Phantom of the Opera.
Prior to the show, all I knew was that it was the sequel to Phantom and whatever I read of the synopsis. At that time, the show played out exactly the way it did on the original cast recording.
And I must say, I was a little confused at the beginning of the show. I did not figure out that the show started with a flashback with Madame Giry and Fleck until I went back and listen repeatedly to the cast recording CD.
But nevertheless, it was still a very good production given the talent and of Karimloo and Boggess, as well as the chemistry of the principal characters. It was bittersweet too because (spoiler!!) Christine died in the end :(
I especially like the parts which incorporated certain musical elements of the original Phantom into the new numbers of this show. So I loved it. So much so that...
I left with quite a lot of merchandise, again :D
But I must be one of the few who loved it because the show was panned by critics, and ticket shows have not been fantastic. So much show that the London production will close on 27 August this year, a run of only 18 months. And with plans for a Broadway and Asian touring production in limbo, I figured that I probably would not get a chance to see it anytime soon.
~~
So little did I expect that in the summer of 2011 (well, it's winter in the southern hemisphere), that I will get an opportunity to catch the Melbourne production of Love Never Dies!
This time around, I had not planned to catch it as I did not know that the Melbourne production was up and running. My trip to Melbourne (which I will post in due time, I hope) was mainly to visit Merser.
So when I found out that the Melbourne production was up and running, I immediately skype Merser to get her to help me book the tickets! Thankfully, she agreed to catch the show with me (despite the fact that she had not caught the first show)!
We got the highest-tiered tickets, but at concessionary prices because we were, technically, still students. Haven't attended convocation mah. Meh.
I think it was A$105 for the ticket. About S$130+.
We caught the show on 3rd July 2011 at the Regent Theatre, which prior to hosting LND, it hosted Wicked (which by the way, is another fantastic, amazing musical).
The Regent Theatre, Melbourne.
Inside the theatre.
This time lighted in red, which is very much the colour I will associate LND with.
I was very much looking forward to this show because I read so much about the rewrites and wanted to see how much the show has changed. I spent the days leading up to the show explaining to Merser what happened in Phantom so she won't get confused over what the show is about.
Once inside, I was already impressed by the stage set up.
I snapped this photo before they announced that we weren't allow to take photos. Oops.
And from the start, the show was already different from the show I caught in London (due to the rewrites).
They got rid of the original start of the Madame Giry flashback and dived straight to one of my favourite numbers in the entire musical - Till I Hear You Sing.
It was lovely. By the way, the two you see in the video above are Karimloo and Boggess :) Charismatic (isn't he?) and beautiful (isn't she?).
It was a far better way to get into the story as it leaves us with no doubt about the background of Love Never Dies, more in line with the synopsis. The lyrics is also very slightly different from the original cast recording, due to the rewrites.
The same can be said for the rest of the musical. The musical numbers remain largely the same as the original cast recording, with slight changes to the lyrics and the characters singing the numbers. The sequencing of certain numbers was also jumbled up.
For instance, "Only For Him/Only For You" was a number with Phantom, Madame Giry and Meg Giry in the original version, became a duet with Madame Giry and Meg Giry after the rewrites.
I also love it that more musical elements from the original Phantom of the Opera was incorporated into this new version of LND.
Halfway through the show, I was half hoping that the ending is changed (as was reported) such that Christine won't die. Well, the ending was indeed changed, but Christine still died in the end. The change was such that Raoul came back onstage again with Gustave, instead of Gustave returning alone. It was also a better change as I felt it tied in back to the original Phantom of the Opera better, reminding me of the principal characters of the first show.
The stage setup and design was far more elaborate than the London one a year ago. It uses far more props and no CGI screen! More like a musical.
Overall, I loved the Melbourne production way more than the London show I caught a year ago. The leads were also very good, though I still preferred Karimloo and Boggess.
Incidentally, Karimloo and Boggess will be reprising their roles as the Phantom and Christine Daae in the 3-show-only London's 25th Anniversary Concert of The Phantom of the Opera in October 2011. How I wish I can be there. Even if I am in London, tickets to the concert has been sold out months ago.
It was also recently reported that the Melbourne production will be made into DVD soon. If it is true, it will definitely be a great addition to my LND and Phantom merchandise!